When I first met Avi she told me the sweetest story of how her fiancé had proposed to her: he had taken her on a surprise trip to Morocco to get in touch with her Moroccan roots, tracked down the mud-brick home where her father (who passed away when she was a younger) had been born, and that’s where he asked her to marry him. The trip had made an indelible impact on her and as she began to plan her wedding decided she wanted to honor her Moroccan heritage in her wedding dress; not only as a tribute to her father, who would not be there to see her get married, but as a wedding day thank-you surprise to her husband for sparking a new appreciation for her family’s origins. [SIDENOTE: Shout-out to her husband for being so awesome!]

I loved the idea and the sentiment behind it. After discussing all the other details about her wedding and personal style—she would be having a destination wedding in Savannah, Georgia at the end of August and having an outdoor reception, so a breathable, not too heavy gown was a must—we started figuring out what “Moroccan inspired” would mean in the context of her wedding dress. We looked at all things Moroccan: tiles, rugs, and traditional Moroccan wedding dresses festooned with embroidery. The latter would be way too literal an interpretation, and the other things didn’t spark the degree of personal significance that seemed necessary given the original intent of the gown.

I asked if she had any Moroccan family heirlooms that I might be able to see for design inspiration and after some thought she mentioned an embroidered caftan that her Moroccan grandmother had given her when she was little and which she wore as a child. The only problem was she didn’t know where it was or even if it still existed!

A phone call to her mother in Pennsylvania solved the mystery of the Moroccan caftan (I wonder if that’s a Nancy Drew book?). It was in a box in a closet somewhere, her mother was sure, and she would bring it with her next month when she came to New York to join Avi for her next appointment with me. Perfect!

I was really excited to see the caftan up close when Avi came back with her mother a few weeks later. Ever since the design consultation I’d been thinking about a technique that I’d always wanted to use on a wedding dress that would be the perfect vehicle to incorporate Avi’s Moroccan heritage in a subtle but significant way: I would reinterpret the embroidered motifs on the caftan using intricate hand-sewn bias applique. The scale and method would be different, but the scrolls and motifs would come straight from the caftan. Something new from something old, and perfectly unique to Avi!

When I showed them my sketches and explained the idea they loved it and we were all so excited to see it come to life the following summer.

To do the applique I first “draped” some ideas on the mannequin and made some fabric treatment samples, deciding which elements from the caftan would be best articulated with the bias applique. Then I drew out the whole border in pencil, to scale.

A lot of tracing paper and measuring and design tweaking later, I had the final pattern and was ready for the task I’d been day dreaming about since Avi’s design consultation: sitting at my table, twisting and turning and pinning and stitching countless yards of bias tape by hand, following the pattern I’d drawn. If I’ve ever been in my happy sewing zone this was it!

This is exactly the kind of intricate, tedious, repetitive task that I absolutely love to do!

Avi’s mom flew me down for the wedding to help lace up the corset; she told me she didn’t want to worry about getting it wrong if she tried to do it herself, but moreover, after all the work I’d done to make such a special gown for Avi they couldn’t imagine her wedding without me being there.

It was an honor to attend Avi’s wedding (as it is with each of my bride’s weddings that I attend). It’s so fulfilling to do something that I love so much and which means so much to my brides and their families.

The wedding ceremony took place at Temple Mickve Israel, a beautiful historic synagogue in Savannah and one of the oldest in the country.  I made Avi’s veil with edging to match the corset and applique.

The night before the wedding there was a Moroccan wedding party, complete with traditional good luck henna tattoos.

 

After the ceremony all the guests were taken to the wharf for a surprise riverboat trip down the Savannah River to the reception venue.

It was windy on the boat! (Which was nice, because it’s hot in Savannah in August!)

The reception was held at a 200 year old fort on the banks of the Savannah river, Old Fort Jackson. Avi changed into a short version of her wedding skirt that I had made just for the reception, which involved lots of dancing and was lots of fun!

 

Photo credits for Avi’s wedding photos: Jade + Matthew Take Pictures

Avi’s wedding planner: Bonnie Kaar, First City Events

Avi’s florist: Amy Harvey, Harvey Designs